Man page - rubberband(1)

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Package: rubberband-cli
apt-get install rubberband-cli

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rubberband-cli

Manual

RUBBERBAND

NAME
DESCRIPTION

NAME

rubberband - manual page for rubberband 4.0.0

DESCRIPTION

Usage: obj-x86_64-linux-gnu/rubberband [options] <infile.wav> <outfile.wav>

You must specify at least one of the following time and pitch ratio options:
-t <X>, --time <X>

Stretch to X times original duration, or

-T <X>, --tempo <X>

Change tempo by multiple X (same as --time 1/X), or

-T <X>, --tempo <X>:<Y>

Change tempo from X to Y (same as --time X/Y), or

-D <X>, --duration <X>

Stretch or squash to make output file X seconds long

-p <X>, --pitch <X>

Raise pitch by X semitones, or

-f <X>, --frequency <X>

Change frequency by multiple X

The following options provide ways of making the time and frequency ratios change during the audio:
-M <F>, --timemap <F>

Use file F as the source for time map

A time map (or key-frame map) file contains a series of lines, each with two sample frame numbers separated by a single space. These are source and target frames for fixed time points within the audio data, defining a varying stretch factor through the audio. When supplying a time map you must specify an overall stretch factor using -t , -T , or -D as well, to determine the total output duration.

--pitchmap <F>

Use file F as the source for pitch map

A pitch map file contains a series of lines, each with two values: the input sample frame number and a pitch offset in semitones, separated by a single space. These specify a varying pitch factor through the audio. The offsets are all relative to an initial offset specified by the pitch or frequency option, or relative to no shift if neither was specified. Offsets are not cumulative. This option implies realtime mode ( -R ) and also enables a high-consistency pitch shifting mode, appropriate for dynamic pitch changes. Because of the use of realtime mode, the overall duration will not be exact.

--freqmap <F>

Use file F as the source for frequency map

A frequency map file is like a pitch map, except that its second column lists frequency multipliers rather than pitch offsets (like the difference between pitch and frequency options above).

The following options affect the sound manipulation and quality:
-2 , --fast

Use the R2 (faster) engine

This is the default (for backward compatibility) when this tool is invoked as "rubberband". It was the only engine available in versions prior to v3.0.

-3 , --fine

Use the R3 (finer) engine

This is the default when this tool is invoked as "rubberband-r3". It almost always produces better results than the R2 engine, but with significantly higher CPU load.

-F , --formant

Enable formant preservation when pitch shifting

This option attempts to keep the formant envelope unchanged when changing the pitch, retaining the original timbre of vocals and instruments in a recognisable way.

--centre-focus

Preserve focus of centre material in stereo

This option assumes that any 2-channel audio files are stereo and treats them in a way that improves focus of the centre material at a small expense in quality of the individual channels. In v3.2+ (and R2) this also preserves mono compatibility, which the default options do not always.

-c <N>, --crisp <N>

Crispness (N = 0,1,2,3,4,5,6); default 5

This option only has an effect when using the R2 (faster) engine. See below for details of the different levels.

The remaining options fine-tune the processing mode and stretch algorithm. The default is to use none of these options. The options marked (2) currently only have an effect when using the R2 engine (see -2 , -3 options above).
-R , --realtime

Select realtime mode (implies --no-threads ). This utility does not do realtime stream processing; the option merely selects realtime mode for the stretcher it uses

(2) --no-threads No extra threads regardless of CPU and channel count (2) --threads Assume multi-CPU even if only one CPU is identified (2) --no-transients Disable phase resynchronisation at transients (2) --bl-transients Band-limit phase resync to extreme frequencies (2) --no-lamination Disable phase lamination (2) --smoothing Apply window presum and time-domain smoothing (2) --detector-perc Use percussive transient detector (as in pre-1.5) (2) --detector-soft Use soft transient detector (2) --window-long Use longer processing window (actual size may vary)
--window-short

Use shorter processing window (with the R3 engine this is effectively a quick "draft mode")

--pitch-hq

In RT mode, use a slower, higher quality pitch shift

--ignore-clipping Ignore clipping at output; the default is to restart

with reduced gain if clipping occurs

-L , --loose

[Accepted for compatibility but ignored; always off]

-P , --precise

[Accepted for compatibility but ignored; always on]

-d <N>, --debug <N>

Select debug level (N = 0,1,2,3); default 0, full 3 (N.B. debug level 3 includes audible ticks in output)

The following options are for output control and administration:
-q , --quiet

Suppress progress output

-V , --version

Show version number and exit

-h , --help

Show the normal help output

-H , --full-help

Show the full help output

"Crispness" levels: (2)

	-c 0		equivalent to --no-transients --no-lamination --window-long
	-c 1		equivalent to --detector-soft --no-lamination --window-long (for piano)
	-c 2		equivalent to --no-transients --no-lamination
	-c 3		equivalent to --no-transients
	-c 4		equivalent to --bl-transients
	-c 5		default processing options
	-c 6		equivalent to --no-lamination --window-short (may be good for drums)